Any camera purchase choice will, without a doubt, take into consideration comparable pricing. In terms of market positioning, retail prices in effect at the time of the camera's introduction situate it in the market in relation to other models in the manufacturer's line-up and the competitors. The A6100 was introduced at a somewhat cheaper price than the A6400, making it a more appealing option for photographers on a limited budget than the latter. Typically, retail prices remain close to the launch price for the first few months, but after a few months, reductions become available. Further discounting and stock clearing discounts are commonplace later in the product cycle, and particularly when the successor model is ready to be introduced. As a result, the camera price is often reduced by a significant amount.
The qualities that distinguish cameras, apart from their physical appearance and sensor, may and do vary. Both of the cameras under consideration include an electronic viewfinder, which is a feature that is common to both. The one found in the A6400, on the other hand, has a much greater resolution than the one found in the A6100. The following table covers some of the other key characteristics of the Sony A6100 and Sony A6400, as well as comparable information for a number of other comparable cameras and camcorders.
As you would expect, the A6100 and A6400 do not have Eye AF for video, but they can still depend on facial recognition and the superior tracking mode to get the job done. APS-C sensors with a resolution of 24.2 megapixels are used by all three cameras, as described in the introduction. Sony's a6600 is the company's second APS-C camera to have 5-axis stabilisation on the sensor, with a compensation rating of 5 stops. The a6300 is the company's first APS-C camera to include 5-axis stabilisation.
On the back of both cameras, there is an articulated screen that can be adjusted so that it is facing forward. In particular, vloggers and photographers who are interested in capturing selfies will find this function to be quite useful. The shutter speed information provided pertains to the usage of a mechanical shutter and is not accurate. However, some cameras simply have an electronic shutter, and others have both an electronic and a mechanical shutter in addition to one another. In reality, both of the cameras under discussion are equipped with an electronic shutter, which allows them to shoot absolutely silently when necessary.
More detailed information on the two cameras (including user guides and manuals), as well as associated accessories, may be found on the Sony official website. It is possible to construct a short film by putting together a sequence of images shot from the same location over a lengthy period of time. A terrific method to catch things like the setting sun or clouds moving across the sky is using a long exposure photography technique. The highest possible resolution for videos taken with the primary camera. Although it may be possible to choose from a variety of different frame rates, the resulting recordings are often of inferior resolution.
Their standard ISO ranges are the same as the A6100's, however whereas the A6100's extended range ends at ISO, the other two cameras go one stop higher, to ISO 102,400. Take a look at each of these cameras in turn, learning about their backgrounds and how well they perform in various types of photography and videography. While the tilting touch screen on both cameras has the same proportions, the Sony a6400's LCD screen has a far greater resolution than the Sony a6000. Depending on the lenses you want to use with the a6100 or a6400, you may also want to consider purchasing an extra hand grip Sony attachment, which will be really useful if you plan to use heavy zoom lenses with your DSLR. Is there a clear winner between the Sony A6100 and the Sony A6400 in terms of image quality?
Because of the built-in dust and moisture protection, you can concentrate on obtaining the photo no matter what the weather conditions are. These considerations are particularly crucial for travel photographers who are constantly exposed to the weather. This may not seem like much of a difference, but as you start adding stuff to your setup (microphone, extra monitor, and so on), it all adds up. The following is a side-by-side comparison of the rear views of the Sony A6100 and Sony A6400.
An optical viewfinder enables the photographer to construct a picture while simultaneously seeing the precise image that will be captured by the lens. OVFs have no time lag and use no power, in contrast to electronic viewfinders, which may deplete a camera's battery's capacity. If you are shooting in typical settings, it is quite unlikely that you would notice any changes in picture quality between any of these three cameras. The three cameras have the same maximum continuous shooting speed of 11 frames per second (or 8 frames per second with live view), although there is a variation in buffer capacity between them. DXO Mark has published information on sensor performance for a large number of cameras.
The front view size comparison of the Sony A6100 and Sony A6400 is shown in the table below. Before we get into our more in-depth comparison of the Sony A6100 vs Sony A6400, let's take a quick glance at the primary features of both cameras. In particular, the front grip, which is substantially more noticeable on the A6600, is of critical importance.
69 distinct specifications, the current market price, and DxO Mark ratings are used in our Decision Algorithm to dynamically rate cameras, allowing for a more objective and consistent comparison. When it comes to purchasing an interchangeable lens camera, the number of lenses offered is a major deciding factor. The Sony A6100 and Sony A6400 are both equipped with the same Sony E lens mount, and there are presently 172 native lenses available for use with both cameras. Both cameras include tilting displays, which allow you to adjust the angle of the screen to make it simpler to film from waist or above-the-head positions. Each of the three cameras has a 3.5mm input that may be used to attach an external microphone if desired.
Slow-motion is an artistic video effect that gives the impression that time is moving more slowly. It is accomplished by recording a video at a frame rate that is greater than the typical playback rate of 24 or 30 frames per second. Frame rates for slow-motion recordings may range from 60 frames per second (fps) to 960 frames per second (fps), depending on the camera's capabilities. The resolution of the photographs recorded with the primary camera is determined by the number of megapixels available. A larger megapixel count indicates that the camera is capable of recording greater amounts of information.
Below is a side-by-side comparison of the technical specifications of the two cameras, which should help you quickly assess their differences and similarities. However, caution should be used when evaluating the review ratings shown above. In order to determine the ratings, they were compared to similar-priced cameras that were currently available on the market at the time of the assessment.